Jane Beecham

Catch My Breath

MAFA Brighton

Interim Exhibition

June 2021



ABOUT

‘Catch my Breath’ Interim show documentation was at Dorset Place, Brighton 7th-11th June 2021

Due to Covid restrictions a face to face Interim Show was not possible but I was able to use the Dorset Place Gallery in Brighton to document some of my pieces.

Repetitive mark making, multiplicity and layering are strong themes within my practice.

My work is made using drawing and printmaking methods on paper, often using metallic and natural pigments to enhance details of my pieces.

I am interested in the physical experience and response to my surroundings.

My current work is about breath and mindful meditation. 

With mindful focus I walk to chosen locations and reconnect with the land and environment by making breath meditation drawings. A series of mark making drawn to a breath pattern or active listening. I also make studio based meditation drawings.

Logging breath count, date, time of day, and time taken. 

These drawings inform the ‘hybrid’ monotypes.

I work in an arbitrary manner preferring the organic free flow of a piece as it progresses so it becomes as much about the process of making as well as the final creation. I strive for a meditative detachment as I make, recreating the repetition of walking and breath drawing exercises.  Using abstract formations with a suggestion of landscape, and groupings of mark making, I work in many levels of ink to create intensity and depth. These watery layered images have a translucence and luminosity unique to the method and perfect for my subject matter.

Further exploration and a shift in scale leads me to an ongoing site specific piece "Breath Flags"



Catch My Breath 7th-11th June 2021 Dorset Place Gallery Brighton

Dorset Place Gallery, Brighton 7th June 2021

4 Breath Drawings Dorset Place Gallery Brighton 7th June 2021

Dorset Place Gallery, Brighton 7th June 2021

10 Monotypes

First Arrangement

Alternative arrangement in pairs

Monotypes

These 10 monotypes hang in a strip. They are unframed and they have torn rough edges.

They each measure 45x55cm – oil based ink on paper with added found chalk, metallic pigment and pencil. They are titled to suggest landscape, and are multilayered to reflect depth of field and breaths taken on my walks along cliff tops, salt marshes, beaches and desire lines. Informed visually by location and breath drawings.

I am not precious about the order they hang in, in fact they could be interchangeable to an audience who may want to use them for meditative purpose. However, I like the fact they are in an ordered block yet, each can stand alone and they were made in pairs.

I hope the viewer will take time to explore and connect with these pieces, creating a sense of calm.

all images 2020/21

Pell

Pell & Desire

Hope

(Inlet, Small Bay)

Pirr

(Light Breath Of Wind)

Fossilised 1

Fossilised 2

Saltmarsh 1

Saltmarsh 2

Saltings & Desire Lines

Saltings

Breath Drawings

Inhaling and Exhaling on a sound or count which leads to a mark being made through the meditation.

What interests me here is multiplicity and repetition of a mark that becomes calligraphic

- every one of them unique.

Sumi Ink on Chinese Rice Paper drawn with found objects and handmade straw brushes.

Studio Based

Breath Drawings

Dorset Place Gallery

June 7th 2021

Number Sequences

The Number Sequences are titles for the breath drawings. The collection of data as the drawings are made may appear ambiguous to a viewer, but with careful consideration it should all become clear.

Dorset Place June 7th 2021

Outside Looking In

Breath Drawings

8 details from the Large Scale Breath Meditation Drawings.


These 8 pieces were digitally printed onto flags 145x145cm for the site specific work below

Site Specific

An ongoing site specific piece using flags that have been digitally printed with an enlarged single unique mark made from a Breath Meditation. The mark making initially inspired by the landscape that the flags have been returned to.

Wind powered – they literally take your breath away. It has been suggested that they could be seen as political, environmental, feminist or anarchical symbols, they are intended to mark a breath, spiritual, like a prayer flag.

The sound of the wind in the flags is percussive, almost mechanical, a strong comparison to the material the flags are made of – soft, translucent and ethereal.

I plan to return with the flags on different days throughout the summer and document them here and Pett Level, between Hastings and Rye and perhaps further afield. Locations that I am drawn to and revisit again and again. These places pinpoint the beginning of my investigation into making marks related to breath and active listening.

Jury’s Gap, Broomhill Sands, Camber

and Pett Level, East Sussex May 2021

Jury's Gap, Broomhill Sands Camber May 2021

Breath Flags on Vimeo

Breath Flags featured in John Smith Official Video

To The Shore

(2.17 – 2.23)




Pett Level May 2021




Workshop

Proposal for a Breath Drawing Workshop


This year I had intended to take a group to a specific site to make drawings related to some breathing meditation exercises using Pauline Oliveros “Sonic Meditation” programme (1971) – although this is more about active listening and making sounds – the exercises can still be applied.  Each Sonic Meditation has a procedure for “1-Actually Making Sounds, 2 – Actively imagining sounds, 3 – Listening to present sounds, 4 – Remembering Sounds” 

Also following the rules of Joseph DeVito and his active listening guidelines. “Receiving,

Understanding, Remembering, Evaluating and Responding.” (DeVito 2000)

These parameters can all be used during active mark making and meditation.

With covid restrictions still in place and also weather restrictions this winter, this hasn’t yet been possible – however, with summer approaching I am working to make this happen locally.

I would like to also propose a workshop for later in the year, possibly at Dorset Place Gallery, Brighton, when we are hopefully free to move around and be together again.

Making these drawings in a space is different from being outdoors in natural environments but I still think it will be a collective and participatory experience and fun and informative for those who wish to take part.

Inviting around 6 people, not necessarily artists, into the space I would ask them to bring their own paper, maybe some items they have to mark make with – feathers, sticks, homemade brushes, some Sumi or Quink ink, and intend for them to decide whether they’d like to work seated on the floor, or standing or sitting at a table. I will also bring some mark making tools for everyone to use and perhaps a roll of basic white paper to share.

Settling into the space I will be playing some alpha music to calm – John B Levine, Steve Reich – this will play throughout the workshop. It is known to settle a busy mind and is especially beneficial for creativity in women.

To begin with I will invite people to get comfortable and breathe deeply before we practice some basic breathing exercises while we make marks onto our paper.

Breath retention to slow brain waves, leads to meditation on the senses, to feel still and focus. Anapanasati – the focus of movement of breath within the body, The Square Breath, Golden Thread Breath, Candle Breath – calms the mind, which mirrors the breath and Coherent Breathing – settling our bodies to use optimum breath, expanding mental clarity allowing the body to relax and slow. Inhaling and Exhaling on a sound which leads to a mark being made.

I would have to explain that normally we would do these exercises with complete focus and eyes closed but for this purpose we are using breath counts to mark make to.

The workshop would last no more than around 60 minutes

I understand we would produce work that is pretty similar to each other, however, it’s the repetition and multiplicity that is interesting to me. Marks that are similar but not actually the same, have their own voice.

I would see these pieces, possibly from both workshops, being hung together as part of a small exhibition using the data collected-times the marks were made, and the number of marks made also becomes a visual sequence that can be displayed.

I would encourage some discussion afterwards about the experience.

I would hope that the participants would benefit from the sense of calm and wellbeing that this drawing method offers, and release some boundaries of what people accept to be an actual drawing.


A medical disclaimer/waiver is necessary and ethics to be
researched and discussed with the ethics committee if I am running a workshop at Dorset Place Gallery

There are points to observe and safeguard against any medical conditions that may be exacerbated.

The workshop could take place in another location if met with constraints at the University.